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Albrecht Durer sjalvportratt oil painting


sjalvportratt
Painting ID::  56574
Albrecht Durer
sjalvportratt
mk248 kompositionen av detta portratt pa panna foljer den florentinska stilen.klader,frisyr ocb utsikten mot de snotackta bergen i fjarran ar indikationer pa att durer betraktade sig sjalu som en adel varldsman, ingen vanlig provinsiell bantverlare.

   
   
     

Albrecht Durer Artist self-portrait oil painting


Artist self-portrait
Painting ID::  57287
Albrecht Durer
Artist self-portrait
mk255 for in 1493. 0.56 x 0.44 meters canvas. Paris, the Louvre

   
   
     

Albrecht Durer The earliest painted Self-Portrait (1493) by Albrecht Durer oil painting


The earliest painted Self-Portrait (1493) by Albrecht Durer
Painting ID::  58701
Albrecht Durer
The earliest painted Self-Portrait (1493) by Albrecht Durer
The earliest painted Self-Portrait (1493) by Albrecht D??rer, oil, originally on vellum Louvre, Paris

   
   
     

Albrecht Durer Young Hare oil painting


Young Hare
Painting ID::  58703
Albrecht Durer
Young Hare
Young Hare, 1502, Watercolour and bodycolour (Albertina).

   
   
     

Albrecht Durer Lamentation for Christ oil painting


Lamentation for Christ
Painting ID::  58704
Albrecht Durer
Lamentation for Christ
Lamentation for Christ, oil, 1500-3

   
   
     

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     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

     Related Artists::.
     | Albert Weisgerber | Nathaniel Sichel | Wilhelm von Schadow |


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